Juan César Bonilla González and his Repertoire
Master carver Juan César Bonilla is from a family that has been working with tagua for generations. In his workshop in the town of Tinjacá in the state of Boyacá in the Colombian highlands, Juan César has modified a lathe and his carving tools for shaping and polishing his pieces. He likes to leave some of the husk on the seed to distinguish his finished pieces from crafts made with synthetic materials.
Juan César has seeds in storage that are twenty and thirty years old. The seeds become denser with age and acquire a deep golden hue. His knowledge of his materials is deep. He explains, “At age six or seven, we learn to carefully choose the raw material, recognize how long it has been drying, and the amount of moisture in the seed. We learn to figure out where the seed has cracked inside while drying. By knowing the condition the seed is in we can work it and transform it.”
Juan César learned his craft from his father, who founded the Fábrica de Artesanías en Tagua which Juan César now runs. While his father was famous for carving miniscule chess sets, Juan César has expanded his repertoire to decorative pieces, jewelry, and toys. Occasionally he carves pieces by hand—but this is time intensive and it is difficult to find customers who appreciate their value. He markets his work nationally and internationally; and among the jobs he receives are orders for conventions and other business events. His wife Julia Patricia Vergara is also an artist. She enjoys working with Juan César in his workshop, and occasionally she draws landscapes on his pieces.
Juan César is among the fourth and fifth generation of tagua carvers in the region, and he works hard to promote the craft throughout the country. He likes to travel to the rainforest regions where tagua palm grows to do workshops. He describes how tagua carving offers alternative employment opportunities in Colombia and how tagua products have the potential to generate five times the income of banana plantation and cattle ranch workers and help protect the endangered rainforests of South America. He is also concerned about the debris that results from tagua carving. He and Julia Patricia have experimented with transforming the discarded material into decorative paper and gift packages. And he offers recycling workshops to the local community.
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